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the lure of Progress [I]

the lure of Progress [I]
2014. the lure of Progress [I]. Digital still.
2014 - 2023
the lure of Progress [I]

Multi-channel sound installation.
32.2 multichannel sound system, computer, sounds.
Dimensions: variable.
Duration: variable.

Technologies of spatialisation and immersive sound allow us to reflect critically on dimensions of the Anthropocene and Capitalocene through a dystopic soundscape: planes crossing the space slowly, over and over. The artwork presents sonic contrails –the acoustic equivalent of the vapour, line-shaped, white clouds produced by aircraft engine exhaust or changes in air pressure. Through immersive sounds, ideas of the devastating effects of human activity are placed in the centre of a speculative dialogue. Sound sources are recordings of sonic contrails made by commercial aircraft en route to Mexico City airport.

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Luz María Sánchez

Luz María Sánchez is a transdisciplinary artist. Her practice spans sound, moving image, installation, computational media, AI and generative systems, addressing power, territory, memory, language and environmental transformation.